Fanatical Pupil

I had just seen some posters up (NYC-style 8×2 glue-up posters) for The Spirit last night, and then found SFSignal’s “At the Trailer Park” (one of my favorite series on their site) with a trailer for The Spirit.

Oh, wait, I still haven’t seen Sin City nor 300. It does look good, though… but not as good as Terminator: Salvation (trailer also featured in the SF Signal post).

Now, I didn’t do WCW last week because I was on a schooner, sailing around islands in Maine. I should have been writing (well, at least, I should have been writing more), but instead I read Stephen King’s The Gunslinger. I did at least get through the whole book. And in the mean time (over the past 2 weeks), I wrote 414 words of fiction (for The Nine Mothers). I also got a lot of thinking and note-taking in as well.

And to make this post a little more interesting, here’s a picture I lomo-ized from the trip:

From Jeff VanDermeer (click through for the trailer on YouTube):

The Fall is one of the most visually striking movies you’re likely to see, but the fantasy element is firmly tied to the emotional resonance of the realistic scenes set in a hospital. Some reviewers have complained that the fantasy element is inconsistent, but it is in fact, for the most part, brilliantly inconsistent. [emphasis his]

A man who has lost the use of his legs tells stories to a child to manipulate her into getting him morphine. He has no interest in internal consistency – and in fact as his aims change and the child’s interests shift, the story shifts, as it should. If the child eventually inhabits the fantasy story, it is because she has taken some ownership of that story. The best description I can give for this movie is that it’s Pan’s Labyrinth meets Baron Munchausen. It has neither the escapist quality of the latter nor the political element of the former. It also features a bit of a self-absorbed bastard as the lead, but he has good reasons for his attitude.

It does look pretty awe-some, and seems like a very unique concept to boot. The non-story (non-fantasy) part can’t be any worse than The Cell, right? That was rhetorical, but if it had an answer, that answer would be “No”.

The Fall only has a 53% on Rotten Tomatoes, but I can see that half of all movie reviewers would not fully understand and/or embrace the concept. I’m pretty sure I’ll be with Jeff, and the 53% of fresh reviewers, on this one, though.

Not sure when this popped up, but there is now a little more lengthy description of the plot of Neal Stephenson’s book on Amazon (comes out in September):

Anathem, the latest invention by the New York Times bestselling author of Cryptonomicon and The Baroque Cycle, is a magnificent creation: a work of great scope, intelligence, and imagination that ushers readers into a recognizable—yet strangely inverted—world.

Fraa Erasmas is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the outside “saecular” world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities and governments have risen and fallen beyond the concent’s walls. Three times during history’s darkest epochs violence born of superstition and ignorance has invaded and devastated the cloistered mathic community. Yet the avout have always managed to adapt in the wake of catastrophe, becoming out of necessity even more austere and less dependent on technology and material things. And Erasmas has no fear of the outside—the Extramuros—for the last of the terrible times was long, long ago.

Now, in celebration of the week-long, once-in-a-decade rite of Apert, the fraas and suurs prepare to venture beyond the concent’s gates—at the same time opening them wide to welcome the curious “extras” in. During his first Apert as a fraa, Erasmas eagerly anticipates reconnecting with the landmarks and family he hasn’t seen since he was “collected.” But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change.

Powerful unforeseen forces jeopardize the peaceful stability of mathic life and the established ennui of the Extramuros—a threat that only an unsteady alliance of saecular and avout can oppose—as, one by one, Erasmas and his colleagues, teachers, and friends are summoned forth from the safety of the concent in hopes of warding off global disaster. Suddenly burdened with a staggering responsibility, Erasmas finds himself a major player in a drama that will determine the future of his world—as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet . . . and beyond.

Click here for previous information posted about Anathem.

This list from Elizabeth Bear makes me feel better about having several projects started/in progress.